Hmmm...

michaonthemoon: yaoibutts: I love how potato in French is pomme de terre, which pretty much means...

Wed, 22 May 2013 00:34:10 -0700

yaoibutts:

I love how potato in French is pomme de terre, which pretty much means “earth apple.”

like what stupid frenchman saw this:

and said “zis petite légume looks like a, how you say, APPLE! hmmm… but it grows in ze earth… HON HON HON! MAIS OUI! C’EST UNE POMME DE TERRE!”

j’adore comment ananas se dit pineapple en anglais, ce qui veut littéralement dire “pomme de pin”, genre quel type anglais a vu ça:

et s’est dit : “ow cette étrange big fruit ressemble à une, how do you say, POMME! hmmm… mais plutôt une pomme qui pousse dans les pins… HU HU HU! OH YES, IT’S A PINEAPPLE!”

(z’avez vu, on peut le faire aussi… hon hon hon!)

dysphoricsylph: Olga Smirnova and Semyon Chudin in Swan Lake.

Tue, 21 May 2013 21:44:35 -0700

dysphoricsylph:

Olga Smirnova and Semyon Chudin in Swan Lake.

folie-a-tout: heyaeya: dameofspace: pandyssian: OH MY GOD APPARENTLY TAKING AN ARROW TO THE KNEE...

Tue, 21 May 2013 01:23:00 -0700

folie-a-tout:

heyaeya:

dameofspace:

pandyssian:

OH MY GOD APPARENTLY TAKING AN ARROW TO THE KNEE WAS AN OLD NORDIC SLANG FOR GETTING MARRIED

I THOUGHT THAT ALL THOSE GUYS IN SKYRIM HAD LITERALLY BEEN SHOT IN THEIR KNEES WITH ARROWS BUT I GUESS NOT

And at that moment, the foundation of that entire meme became something like this:

THAT EXPLAINS WHY MEN GO DOWN ON ONE KNEE WHEN THEY PROPOSE

OH MY GOD

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Tue, 21 May 2013 00:53:16 -0700

moonflowerlights: If you’re having a bad day, just remember that the Raptor sounds from Jurassic...

Tue, 21 May 2013 00:49:50 -0700

moonflowerlights:

If you’re having a bad day, just remember that the Raptor sounds from Jurassic Park were actually a recording of turtles having sex

And the Tyrannosaurus Rex’s roar was the bull koala from the San Francisco Zoo.

"[W]hen we launch in a territory the Bittorrent traffic drops as the Netflix traffic grows. So I..."

Fri, 17 May 2013 22:46:55 -0700

“[W]hen we launch in a territory the Bittorrent traffic drops as the Netflix traffic grows. So I think people do want a great experience and they want access – people are mostly honest. The best way to combat piracy isn’t legislatively or criminally but by giving good options. One of the side effects of growth of content is an expectation to have access to it. You can’t use the internet as a marketing vehicle and then not as a delivery vehicle.”

- Ted Sarandos, Chief Content Officer at Netflix (via laliberty)

Look, someone who gets it.

(via knitmeapony)

Thank you, thank you, thank you, thank you. Same thing goes for pirated music where legit services such as Spotify are made available.

And because it bears repeating, Ted Sarandos’ most key words of wisdom:

You can’t use the internet as a marketing vehicle and then not as a delivery vehicle.

You can’t use the internet as a marketing vehicle and then not as a delivery vehicle.

You can’t use the internet as a marketing vehicle and then not as a delivery vehicle.

(via principia-coh)

ironinomicon: oftheforest: grimsperation: Michele...

Fri, 17 May 2013 21:06:10 -0700

ironinomicon:

oftheforest:

grimsperation:

Michele Caragher

Embroidered details in Game of Thrones

‘Michele Carragher is a London-based Hand Embroiderer and Illustrator who has been working in costume on film and television productions for over 15 years. She studied Fashion Design at The London College of Fashion, where the course incorporated design, pattern cutting, garment construction, embroidery, millinery and illustration. At the same time she attended a three year evening course in Saddlery at Cordwainers College learning skills in leatherwork.

After leaving college Michele worked in Textile Conservation, repairing and restoring historical textiles for private collectors and museums, specialising in hand embroidery. She then moved into a career in costume for film and television, initially working as a Costume Assistant/Maker on productions such as the BBC’s Our Mutual Friend, ITV’s David Copperfield and Mansfield Park. She soon gravitated towards the decoration and embellishment of costumes, using skills in hand embroidery and surface decoration, taking inspiration from the many historical textiles she had encountered working as a Textile Conservator.

The first production that saw her undertake the role of a Principal Costume Embroiderer was for HBO’s 2005 Emmy Costume award-winning production of Elizabeth 1. Her most recent work has been on HBO’s 2012 Costume award-winning television series Game of Thrones, working on all three seasons.

As a Costume Embroiderer Michele specialises in hand embroidery and surface embellishment, using traditional hand embroidery techniques, smocking, beading and surface decoration. She works directly onto the completed garment or starts with motifs and textures on silk crepeline/organza, which are applied to the costume and then worked into once on the actual garment. She also works on existing machine embroidery designs that are not too dense, adding some hand stitching and beading to give a more authentic, hand-finished look.

Michele finds hand embroidery has more flexibility and diversity than that of embroidery created by machine, as there is a greater variety of thread choice and colours to use. It is also possible to work more easily on garments that are already constructed. However, machine embroidery in combination with hand work can be very useful when completing many repeats by creating light outlines or a less dense machine stitch, work can then be completed by hand and again can be carried out on a finished garment.

Michele is a highly creative Costume Embroiderer, producing original designs as well as working closely to a costume designer’s brief to create their desired look.’

Text and images from http://www.michelecarragherembroidery.com

God, that embroidery is so gorgeous! I had no idea that third dress was so detailed after seeing it on the show… Amazing work.

all of the costuming on this show is so fucking thoughtful (someday i’m going to make an effortpost about The Political Decisions Of Margaery Tyrell’s Wardrobe)

and that white thing is so fucking jacobean

everything is beautiful

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Fri, 17 May 2013 20:58:29 -0700

costumecommunityservice: truebluemeandyou: DIY Know Your Shoes...

Fri, 17 May 2013 12:39:08 -0700

costumecommunityservice:

truebluemeandyou:

DIY Know Your Shoes Guide from Enerie here. My favorite shoes aren’t listed yet - Louis Heels which were popular in the 1920s. First seen at inspiration & realisation’s Facebook page.

Well hello, fashion vocabulary.

illiterati-lumen-fidei: gryffin-dyke: thecakebar: Rose...

Fri, 17 May 2013 11:56:24 -0700

illiterati-lumen-fidei:

gryffin-dyke:

thecakebar:

Rose Bouquet Cupcakes! (tutorial)

step 13: explain how in the fuck i’m supposed to eat one of them without getting a palm full of frosting since you glued the damned cups together.

Step 14: ???

Step 15: Profit

Cross-Training for Technique: Improve your strength and stamina outside the studio

Thu, 16 May 2013 15:33:26 -0700

When San Francisco Ballet soloist Elizabeth Miner found herself huffing and puffing through David Bintley’s The Dance House, she knew it was time to increase her cross-training. “The piece was nonstop,” says Miner. “Just running it was not enough. I needed to build my aerobic capacity.” In addition to Pilates—which she already did—Miner began using the elliptical trainer for 30 minutes three times a week. She noticed a change almost immediately. “I could finish the ballet and not be completely exhausted,” says Miner. “I felt more in control, able to think about other things onstage, like the music and movement. Being tired is the last thing you want to focus on.”

Whether it’s running, yoga, spinning classes or weight lifting, non-dance exercise can help improve your technique. Marika Molnar, director of physical therapy at New York City Ballet, believes cross-training is an essential part of any dancer’s regime. “I don’t just recommend it, I insist on it,” says Molnar, who has been working with NYCB dancers for the past 30 years. “Because dancers perform the same movements using the same muscles all the time, strength, flexibility and motor coordination exercises help to nourish the body.” NYCB apprentices are offered a full wellness program that includes an individualized workout. “Once they experience how great it is, they make time for it,” Molnar adds.

A physical therapist or trainer can help you find the regimen that will be most effective for your body. Generally, exercises should be done two to three times a week, working to the point of fatigue to build strength while making sure your form is correct at all times.

Problem: Low Extensions

According to Molnar, strength at the end range of your flexibility is crucial to developing higher extensions. “Pilates reformer exercises are great,” she says. “One of my favorites is the single leg circle; it helps to improve abdominal stabilization while strengthening the whole leg through the range of motion.”

Athletic trainer Mike Howard and Pilates teacher James Harren, who both work with Houston Ballet dancers, recommend strengthening and stretching the psoas muscle through slow, deep sit-ups with the abdominal muscles contracted both on the way up and down. “Everything is connected, so extensions are easier with a stronger core,” Harren says. “Because the psoas attaches to the inner part of the thigh bone, it rotates the leg and lifts it.” Add the obliques in by twisting slightly to the left and right. Do two sets of ten three times a week.

Don’t leave out the strength of the standing leg. Harren recommends placing one leg on a medium-sized physio ball while lying down, the other leg in the air turned out and in first position, then lifting and lowering the pelvis in this position.

Problem: Low Jumps

Stretching correctly is the first step to improving your jumps. “Hanging out with your leg on the barre while chatting with friends will weaken ligaments and negatively impact your jumps,” warns Molnar. “Ideally, stretches should only be held for two to three minutes.” Molnar also believes plyometric training (which builds muscle power through quick, explosive movements) is essential to improve the strength, elasticity and activation of the muscles you use to jump. Try jumping with a two-pound weight, or jump on and off a six-inch box. “Have someone put their hands on your waist and push down to provide resistance,” Molnar suggests.

Howard advises strengthening the feet to improve your jumping. Try picking up marbles or cotton balls with your toes to engage the muscles in your arch.

Problem: Weak Port De Bras

Harren has dancers practice port de bras while lying on a roller. “Balancing on the roller will steady the core and build greater sensory motor coordination,” he says.

To strengthen the shoulder joint, stand up and do small shoulder circles with a dumbbell. Have a trainer determine the appropriate amount of weight. Any exercise where you pull something in front of you backwards, like on a rowing machine, will strengthen the muscles of the shoulder blades, creating a strong back.

Problem: Lack Of Stamina

Elliptical training, swimming and biking all offer low-impact ways to increase your stamina. Be sure to set the elliptical on a smaller incline and use light resistance. If you prefer the treadmill, Molnar recommends walking (both forward and backward), not running. “Running puts extreme force on the joints, especially the knees.” says Molnar. She advises staying away from the StairMaster altogether because it’s stressful on the knees and good form is hard to maintain.

In any aerobic exercise, try to achieve 65 percent of your maximum heart rate (you can determine your MHR by subtracting your age from 211). You need at least 15 to 30 minutes three times a week to see a difference in your endurance. “Make sure you are breathing in the lower lungs and not just the upper chest,” Molnar says. You can continue working on your endurance even while dealing with some injuries. Ask a doctor about low-impact swimming or biking.

Article by: Nancy Wozny
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Tue, 14 May 2013 22:36:06 -0700

gregcohn: EFF: Who has your back?

Tue, 14 May 2013 18:15:24 -0700

gregcohn:

EFF: Who has your back?

shelovesasianfood: Peking Duck Bao 北京鸭刮包 (by Koi Evanston)

Tue, 14 May 2013 10:58:43 -0700

shelovesasianfood:

Peking Duck Bao 北京鸭刮包 (by Koi Evanston)

jillthompson: im-a-kittycat: “So my amazing daughter, Emma,...

Tue, 14 May 2013 10:56:27 -0700

jillthompson:

im-a-kittycat:

“So my amazing daughter, Emma, turned 5 last month, and I had been searching everywhere for new-creative inspiration for her 5yr pictures. I noticed quite a pattern of so many young girls dressing up as beautiful Disney Princesses, no matter where I looked 95% of the “ideas” were the “How to’s” of how to dress your little girl like a Disney Princess…We chose 5 women (five amazing and strong women), as it was her 5th birthday but there are thousands of unbelievable women (and girls) who have beat the odds and fought (and still fight) for their equal rights all over the world”

- Jaime Moore, Not Just a Girl

This is awesome!

yummyinmytumbly: Strawberries and Champagne Cupcake

Mon, 13 May 2013 13:17:28 -0700

yummyinmytumbly:

Strawberries and Champagne Cupcake

Wagashi (和菓子) is a traditional Japanese confectionery which is...

Sat, 11 May 2013 12:59:50 -0700

Wagashi (和菓子) is a traditional Japanese confectionery which is often served with tea. Wagashi are considered more healthful because they are made entirely from plant-based ingredient. They are extremely suited to artistic manipulation, and to visual representation of a variety of symbolic elements. (x) (x)

itsrainingmacaroons: Homemade Italian Cream Sodas

Sat, 11 May 2013 12:38:01 -0700

itsrainingmacaroons:

Homemade Italian Cream Sodas

(via Must See: Neither Carey Mulligan Nor Stephen Colbert Have...

Fri, 10 May 2013 16:45:30 -0700

(via Must See: Neither Carey Mulligan Nor Stephen Colbert Have Read Gatsby)

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Fri, 10 May 2013 12:32:40 -0700